The multi-angular Ravenous theme runs the gamut from hungry rap metaphors to a more literal dietary epiphany. The bar-heavy braggadocio is thick from the start, but this is not the same Carnage we’ve heard before.

“Not Just A Name” dissects the symbolism in a violent name, and the insatiable competitiveness that comes with it (see 2012’s “Respect The Name” for the first helping), in contrast with his naturally positive demeanor offstage. “Book Me” and “It’s Still Work” both offer fresh perspectives on what it means to be a “starving artist” in the music industry today.

Though content-driven and complex in delivery, Ravenous is the most palatable and most musical release in the Carnage canon. The beats are melodic and energetic, boasting serious hooks to bolster the (mostly) heavy subject matter.

The Ravenous story concludes with a true account of C.XXXL’s turn to veganism, a successful remedy for his long-term weight and food addiction struggles. It’s a moment that would come off preachy in less competent hands, but Carnage puts the listener in his shoes instead.

The album is simultaneously easy to digest while offering more layers to Carnage as a three-dimensional character. Still, Ravenous is best enjoyed with repeat listens. The arrangements routinely avoid repeated or copy/paste choruses, capitalizing on every opportunity to drive the narrative.

Ravenous is an achievement, not only in songwriting but personal growth. It is hands down, the crown jewel in an already enviable body of work.

Album art was designed by the monstrously talented Pat Jensen.